Eija-Liisa Ahtila

SCULPTURE IN THE AGE OF POSTHUMANISM – Lehmbruck Museum, Duisburg, Germany, Sep 28, 2019 - Jan 26, 2020
TODAY – M10, Momentum Kunsthall, Moss, Norway, Jun 8 - Oct 9, 2019
STUDIES ON THE ECOLOGY OF DRAMA – Hollybush Gardens, London, UK,
Jul 12 - Aug 15, 2019
THE ANNUNCIATION – Dommuseum, Mainz, Germany, Mar 7 - Jul 7, 2019
THE BRIDGE – Scandinavia House, New York, USA, Feb 21 - Jun 14, 2019
THE BRIDGE – The Phillips Collection, Washington, D.C., USA,
Oct 13, 2018 - Jan 31, 2019
FISHERMEN – Video Video, Nikolaj Kunsthal, Copenhagen, Denmark,
Jan 12 - 27, 2019 
POTENTIALITY FOR LOVE – Serlachius Museums, Mänttä, Finland,
Feb 3, 2018 - Jan 6, 2019
FISHERMEN – The Nordic House, Faroe Islands, Nov 26 - Dec 15, 2018
RETROSPECTIVE – Museum M, Leuven, Belgium, May 18 - Sep 19, 2018
THE BRIDGE – Nordic Heritage Museum, Seattle, USA, May 5 - Sep 16, 2018
FISHERMEN – Fondazione Mudima, Naples, Italy, Jun 6 - Jul 25, 2018
POTENTIALITY FOR LOVE – 21st Sydney Biennale, Australia,
Mar 16 - Jun 11, 2018
POTENTIALITY FOR LOVE – Marian Goodman Gallery, Paris, France,
Mar 3 - Apr 8, 2018
STUDIES ON THE ECOLOGY OF DRAMA – ACMI, Australian Centre for the Moving Image, Melbourne, Australia, Dec 5, 2017 - Feb 25, 2018

More exhibitions

STUDIES ON THE ECOLOGY OF DRAMA by EIJA-LIISA AHTILA
Institut Finlandais, Paris, France, Nov 30, 2019
Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland,
Oct 18, 20 & 29, 2018
Rencontres Internationales Paris/Berlin, Berlin, Germany, Jun 19 - 24, 2018
12th Audiovisual Arts Festival, Corfu, Greece, Jun 5, 2018
Rencontres Internationales Paris/Berlin, Paris, France, Apr 10 - 15, 2018
Bucharest Experimental Film Festival, Romania, Mar 26 - Apr 1, 2018

THE ANNUNCIATION by EIJA-LIISA AHTILA
Filmforum, Duisburg, Germany, Oct 10, 2019
12th Audiovisual Arts Festival, Corfu, Greece, Jun 5, 2018

THE HOUR OF PRAYER by EIJA-LIISA AHTILA
Filmforum, Duisburg, Germany, Oct 10, 2019

CONSOLATION SERVICE by EIJA-LIISA AHTILA
12th Audiovisual Arts Festival, Corfu, Greece, Jun 5, 2018

TODAY by EIJA-LIISA AHTILA
Filmforum, Duisburg, Germany, Oct 10, 2019
AVEK 30, Tampere Film Festival, Finland, Mar 7 - 11, 2018

IF 6 WAS 9 by EIJA-LIISA AHTILA
Filmforum, Duisburg, Germany, Oct 10, 2019

ME/WE, OKAY, GRAY by EIJA-LIISA AHTILA
Filmforum, Duisburg, Germany, Oct 10, 2019
12th Audiovisual Arts Festival, Corfu, Greece, Jun 5, 2018

More screenings

STUDIES ON THE ECOLOGY OF DRAMA
“How to depict living things? How to approach them? How to convey a different way of being, another being's world? How to make it into a continuous event that becomes part of our idea of reality?”

4-channel projected moving image installation and single-channel film that uses the methods of presentation as a path to the company of other living beings. It expands upon the issues of ecological moving image narrative explored in her previous works – the focus in this work being on presentation, imaging and imagination in the context of the moving image.

Installation

Film

FRANCESCA WOODMAN & EIJA-LIISA AHTILA
On Visuality and the Presentation of Emotions in the Space of Media Art

The phenomenological encounter with the works of the American photographer Francesca Woodman and the Finnish video artist Eija-Liisa Ahtila forms the focus of the publication. The relationship between the body and space is explored in the context of perception and emotion, making use of theories of embodiment as well as recent research in emotion studies.

RETROSPECTIVE CATALOGUE OF AHTILA’S WORKS IN SPANISH

On the occasion of Eija-Liisa Ahtila’s major retrospective in Spain, MAC Museo de Arte Contemporáneo of A Coruña is publishing together with DARDO, the first Spanish language catalogue by Eija-Liisa Ahtila, presenting a cross section of her work.

The catalogue spans over 200 pages of museum views of installed works, photographic works, film stills and screen captures. The catalogue features a previously unpublished text by art historian Hanna Johansson The Temporal and Ecological Sphere of Eija-Liisa Ahtila’s Film and The Moving Image as Witness by author Mieke Bal. Studies on the Ecology of Drama, Horizontal, Anthropomorphic Exercises on Film, The Annunciation, The House, Today and Dog Bites have been photographed at MAC and these never seen photographs are included, together with views from other shows by the artist.

ECOLOGIES OF DRAMA – TEXT ANTHOLOGY PUBLISHED IN USA

Albright-Knox Art Gallery has published a 300-page anthology featuring texts on Eija-Liisa Ahtila’s moving image works. The anthology, titled "Eija-Liisa Ahtila: ECOLOGIES OF DRAMA – Collected Writings, Interviews, and Scripts", features a great variety of essays and conversational articles by various authors, as well as the synopses and scripts of all Ahtila’s moving image works.

The anthology is an excellent source book of Ahtila's works, and describes how she has been a groundbreaking artist since the beginning of the 1990s, pioneering in creating a new genre in contemporary art, the multi-channel moving image installation.

More Publications

POTENTIALITIES OF LOVE 
An extended, thematic book inspired by Eija-Liisa Ahtila’s sculptural installation.

Potentialities of Love reflects on themes central to Ahtila’s artistic practice. It expands on the visual approach of her thoughts, using her latest hybrid cinematic installation, Potentiality for Love as a starting point. 

It focuses on Otherness, Animal Lives, and Love/Compassion, and discusses how these three themes are interlinked. —1st part of the book is providing a brief sketch for a historical/philosophical background of the construction of the concept of the animal as the other. 2nd part discusses embodiedness and vulnerability, from the point of animals’ experience and biographies. 3rd part is returning to the theme of love and its connection with the other, and expands on the artist’s work in relation to an aesthetics of love.

These themes are central to Eija-Liisa Ahtila’s artistic thinking, especially as she has been engaging with animals’ experience and intersubjectivity between animals and humans. Creatureliness traverses all her work — how can the sense of creaturely exposure and mutual belongingness be evoked in moving image installations; is it possible for this sense to become a basis for an ethics of nonviolence?

Potentialities of Love is ’an intellectual art book’, which by using variety of image sources and contemporary graphics design approach —combined with high end print quality— elevates the book format to a level of an independent work of art.

Crystal Eye is remastering all existing works, installations and films by Eija-Liisa Ahtila and Ilppo Pohjola. Detailed digital restoration is executed from the original camera and laboratory negatives and the original audio sources to reach maximum image and audio quality – without losing artist's original intention and the film look. The project will be finished by the end of this year.